Author: Rod Inness-Chaytor

  • Lighthorne Festival winners 2017 become national champions

    Lighthorne Festival’s 2017 winners have become national champions at the British All-Winners Finals.
     

    Didcot Phoenix Drama Group took the top prize in the One-Act section with their entry, Eugene Ionesco’s The Lesson, as well as the Youth Section trophy, won by 20-year-old Didcot actress Corin Lawfull.

    David Cooke as the Professor, Daisy Norton as the Maid and Corin Lawfull as the Pupil in the Didcot Phoenix Drama Group presentation of Eugene Ionesco’s classic 1950’s Theatre of the Absurd play, The Lesson.
    Veteran adjudicator Russell Whitely, GoDA, praised Didcot for their “powerful” performance and said he had never seen an amateur group perform the Ionesco work better. He also said that Corin Lawfull’s portrayal of the pupil, at first coquettish, then confused and, finally, terrified, was “absolute, total perfection”.
     
    Fellow Didcot actress Daisy Norton, 16, was also among the nominees for the youth prize.
     
    Winning Director Karen Carey said:” We have performed in local festivals around Oxfordshire for over 30 years but this is the first time that the group has performed on the national circuit, so to win at this level is a fantastic achievement for the group and certainly one of the high points in its 34-year history.
     
    “I’m extremely proud of the team, both on-stage and off, and very grateful for the support from members and their families. Being surrounded by science and technology industries, the arts in Didcot has often taken a back seat – but I think this proves there’s a lot of talent in Didcot.”
     
    The group won the Lighthorne Festival of One-Act Plays last month, earning the right to enter the All-Winners Finals. They are the fifth group to go forward to the national championships from Lighthorne since it was founded in 2013, but the first to win it.
     
    The week-long Finals, at the Lamproom Theatre in Barnsley, South Yorkshire, and organised by the National Drama Festivals Association, featured nine one-act and three full-length plays and represented a triple triumph for Lighthorne.
     
    Playwright Nick Marsh, from Rugby Theatre, was handed the George Taylor Memorial Trophy for the best new play featured at a NDFA-associated Festival during the previous year.
     
    Nick’s presentation was made by David Waters, managing director of publishers Stagescripts, whose award also includes a £250 cheque and a publishing deal.
     
    His play, A Frank Exchange, was the Rugby Theatre entry in the Lighthorne Festival of One Act Plays in June 2016.
     
    The judging panel, comprised of an established playwright and two GoDA adjudicators, said:”It is very well constructed, with several twists and climaxes, building to a strong, telling, harrowing conclusion.”
     
    Lighthorne Festival chairman Rod Chaytor said:”We were aware that standards are building year on year, but this is empirical proof.”
     
    ”We are delighted to share Didcot’s triumph. It is a huge achievement to win at this level. They gave a stunning interpretation of a classic theatrical piece.”
     
    “Equally, the Lighthorne Festival has always encouraged new work within a balanced programme and we offer our warmest congratulations to Nick Marsh.”
     
    Next year’s Lighthorne Festival will be held between June 5 – 9, 2018. Preliminary expressions of interest are invited from would-be entrants between now and October 31 this year, with confirmed entries by January 31, 2018.
  • Lighthorne 2017 results

    An Oxfordshire theatre group has won the fifth annual Lighthorne Festival of One-Act Plays with a piece of classic theatre – “The Lesson”, by French playwright Eugene Ionesco.

    David Cooke as The Professor and Corin Lawfull as The Pupil in the Didcot Phoenix Drama Group winning production of “The Lesson” by Eugene Ionesco, directed by Karen Carey.

    Newcomers Didcot Phoenix Drama Group scored the Festival’s highest-ever marks with their production, directed by Karen Carey.

    The still-controversial 1950’s Theatre of The Absurd play – hated by some but hailed as a masterpiece by many – deals with a dysfunctional and disconnected encounter between a youthful pupil and an ageing, lustful professor, which degenerates into violence.

    Adjudicator Paul Fowler, national chairman of the Guild of Drama Adjudicators, described it as:” A fiercely intelligent production, directed with confident brio and acted with thrilling pace, wonderful physicality and great attention to the details of this strange and difficult text.”

    He also spoke of: “David Cooke as the twitching and ranting professor whose murderous meltdown helped to make Didcot Phoenix’s The Lesson such a powerful experience.”

    As winners, Didcot Phoenix picked up a £500 prize – the biggest in British amateur theatre – plus the right to send an identical sum to the registered charity of their choice. They chose Restore, an Oxford-based mental health charity.

    They also won a handsome engraved trophy and the right to be considered for the National Drama Festivals Association British All-Winners Finals, to be held at the Lamproom Theatre, Barnsley, next month.

    Two groups were joint second – Lighthorne Drama Group with the two-hander, “12hr Life” written by Robert Scott and directed by Victoria Pritchard, and the Mayhem Theatre Group from Halesowen, West Midlands with “The Librarian”, written by Stephen Moran and directed by Linda Evans.

    Paul Fowler picked out actors from both plays for special mention.

    He said of the two LDG actors: “Alex Kapila and Peter Reynolds, as the strangers drawn together at the station buffet, produced a pair of beautifully matched and sensitive performances whose on-stage chemistry added greatly to this production.”

    He praised Ruth Cattell in the title role of “The Librarian” from Mayhem for:”A rich and nuanced performance at the heart of this gripping play.”

    June Ronson was singled out: “As the wonderful Marcie in The Allotment – such a calm and detailed performance for Banbury Cross Players.”

    Mr Fowler also made special mention of respected Warwickshire actress Susi Walker, who played the ghostly actress Miranda Yolanda in Parlour Hen’s production of “Moving On”, written and directed by former Stratford actress Sarah Campbell.

    The adjudicator described it as: “A performance of great dignity from an actress blessed with the most wonderful voice.”

    “Moving On”, which came fourth, and “The Librarian” were both also nominated for the George Taylor Award, a competition for new work offered by the National Drama Festivals Association for new plays performed at affiliated Festivals, of which Lighthorne is one.

    They were among 12 one-acters performed over the four-night Festival, which is presented cafe-theatre style with a supper served in the intervals and is recognised as being nationally unique.

    Lighthorne Festival Chairman Rod Chaytor said:” Didcot achieved the highest mark ever awarded at Lighthorne and the next three groups were all marked at a level which would win many Festivals outright.

    “It is tangible proof that the Festival is attracting more and more top-quality groups, encouraging our longer-standing entrants significantly to raise their games, to the benefit of all.”

    Next year’s Lighthorne Festival will be held between June 5 – 9, 2018. Preliminary expressions of interest are invited from would-be entrants between now and October 31 this year, with confirmed entries by January 31, 2018.

  • Lighthorne Festival 2017

    Dear Festival Friends:

    The General Election has caused us to amend the schedule for the 2017 Lighthorne Festival of One-Act Plays because our Village Hall venue is a polling station.

    The planned programme for Thursday June 8 is therefore being shifted en bloc to Tuesday June 6 and the Festival will take a break on the Thursday night.

    We are extremely grateful to the three groups involved – Kenilworth Priory, Phoenix Players Stratford and Banbury Cross Players – for agreeing to this change and to Lighthorne Drama Group for moving their rehearsal from the Tuesday night to accommodate it.

    The planned programmes for the Wednesday, Friday and Saturday will go ahead unchanged and no other groups will be affected.

    Our adjudicator, Paul Fowler, GoDA, has been fully consulted and is supportive of the rescheduling. Adjudicators are used to “split” Festivals where, for example, a one-act competition might take place over a couple of nights, followed by two nights of full-length plays before a return to the one-act section again. I am 100% certain that no groups will be disadvantaged in any way by the changes.

    As a reminder, the Box Office is currently open for priority booking by groups for the night they are appearing (plus two tickets each for the Saturday night).

    The Box Office opens to the general public on Friday April 28, after which time priority booking allocations cannot be guaranteed.

    To purchase tickets, contact the Festival box office at: lighthornefestival@gmail.com
    or telephone: 01926 651411
    or use the contact form on the website – lighthornefestival.org.uk